The Wallpaper series extends my exploration of presence, transformation, and disruption in painting. Its title derives from the flat, fragmented forms that appear like torn pieces of wallpaper spread across the pictorial space. These elements create a sense of disturbance: they interrupt the visual flow, challenge habitual modes of perception, and introduce an unfamiliar dynamic into the work.

At the same time, they function as a means of investigating the interplay between color, form, and space. Through their specific mode of appearance—their placement, material presence, and impact within the composition—they intensify the push-pull effect of painting and activate a field of tension between proximity and distance, presence and dissolution. In this way, disruption becomes not only a visual strategy but also a catalyst for transformation within the image.